The Tao of the Maze: Taiji (Tai Chi) Philosophy, Somatic Loops, and Navigating Late-Diagnosed Burnout

Hi all,
In previous discussions about navigating the "external maze" of unsupportive environments and the "internal maze" of autistic burnout, I mentioned that the Taoist philosophy and science behind Taiji (Tai Chi) has strong links to how I have been learning to survive and reclaim my system. A few people expressed interest, so I wanted to open up this space to share my thoughts and see if anyone else maps things similarly.
Please note: I am sharing my personal framework and lived experience as a late-diagnosed individual navigating burnout; this is not medical or legal advice.
When I hit a wall after decades of forced neurotypical masking, my nervous system felt completely locked in what I call "neuromuscular guarding"—a state where my body automatically braced itself against a hostile environment, draining my cellular energy and creating painful somatic (relating to my body) feedback loops. I’ve found that Taiji is often misunderstood in the West as just a gentle exercise for relaxation. To me, its core philosophy is a highly sophisticated, centuries-old approach to handling force, pressure, and energy conservation.
Looking back, I realize there is a deep irony in my journey. For 45 years, I have trained in martial arts, Qigong, and Taoist philosophy. Professionally, I spent decades using my hands and deep clinical knowledge of anatomy and human mechanics to help people heal and restore themselves. But when it came to my own system, I masterfully twisted that exact structural training to compress and rechannel my neurological stress.
I wasn't just masking my autism to fit into the workplace; I was using a lifetime of deep discipline and physical understanding to "mask the mask" itself—manually overriding my body’s physical warning signs and forcing an exhausted engine to keep running. The biological bill for that internal compression has finally arrived in the form of severe metabolic fatigue and localized physical health flares. My nervous system has essentially flipped a circuit breaker to force me to a complete halt.
It turns out, I can no longer use my understanding of the body to force my system into compliance; I have to use it to learn how to yield to my own biological baseline. That's where the three ways I’ve been mapping Taoist and Taiji concepts to my own recovery process fit for me now:
1. Song (鬆) vs. Neuromuscular Guarding (My Internal Map): Releasing unnecessary, protective tension while actively retaining structural alignment. True resilience comes from sinking, grounding, and releasing that "bracing" shell so the internal system can circulate energy.
2. Wu Wei (無為) and the Power Down (My Shutdown Stage): Stopping the exhausting mental effort to "fix" or manage myself with rigid schedules. It means treating periods of quiet sensory rest and stillness not as laziness, but as a mandatory biological survival strategy to let my engine cool down and allow my cellular system to actively restore its deepest energy reserves.
3. Tui Shou (推手 / Push Hands) and Legal Shields (My External Map): Yielding, redirecting incoming systemic force, and letting it pass by harmlessly. Using text-based asynchronous boundaries or invoking formal accessibility frameworks lets me use the system's own structural weight to protect my baseline without wasting my limited internal fuel.
Looking at my burnout through this structural lens has really helped me move away from viewing my exhaustion as a "psychological failure". It frames my recovery around structural mechanics, systemic biology, and strategic energy conservation instead.
I’d love to know if anyone else uses Taiji, Qigong, or Taoist concepts in their holistic recovery, or if these analogies resonate with your own journey through the maze!

A quick note on how I put this post together: The synthesis of these ideas, the philosophy, and the mapping of Taiji concepts to autistic burnout are entirely my own lived experiences and thoughts. However, because my executive functioning and brain fog fluctuate quite a bit, I used an AI tool to help me format, structure, and polish my rough notes into this readable layout.

Parents
  • I've never really got on with Tai Chi and Taoist practices, I don't know why, but they make me feel like an overcoat on a wheelbarrow, but I respect those who get on with it. My ex husband was into Tai Chi and Aikido too, his Tai Chi teacher told him that everybody has a martial arts style that relates to the elements. How do you feel about this? 

    I know from my own practice that I get on better with yoga and that my elemental style is water, as Monty Python would have it, I'm a watery bint, I'm a water tiger in Chinese astrology and in my Western chart I'm nearly all water, I'm still waiting for my Indian chart to be translated and interpreted.

    One strange thing I've noticed is how my body seemed to desicate over the weeks of drought, I was properly hydrated and everything, but now it's started raining again I feel as thugh my internal aquifers are starting to refill.

    I think being with and in our element is an overlooked part of who we are and how we operate, physically, mentally and spiritually.

  • Hi @The CatWoman,
    Your description of feeling like an "overcoat on a wheelbarrow" during Taiji completely cracked me up, but it is actually a highly accurate description of a structural mismatch!
    Your ex-husband's teacher was spot on—within the traditional Five Element frameworks that I have used to analyze posture, movement, and balance, every system operates with a distinct elemental dominance. For me, these elements are simply a practical model—as good as any other, and with clear correlates to how Western biomechanics maps force vectors and tension patterns. The model itself isn't the "real thing," but it acts as a functional interface that helps us interact with the real thing without getting lost in the noise.
    My own native structural baseline maps firmly to the Wood model, which is heavily bound to linear tension, structural scaffolding, and a constant, driven impulse to upward growth—the exact architecture that ran my engine into a complete burnout.
    Your experience of "desiccating" during the drought and feeling your "internal aquifers refill" with the recent rain makes absolute sense from a somatic standpoint. Within the cycle of environmental moisture thresholds, a Water-dominant system is deeply attuned to fluid dynamics and atmospheric pressure. When you operate with that baseline, noticing how your skin, fascia, and internal tissues expand or contract in response to ambient atmospheric shifts isn't an imagination; it is a vital piece of real-time interoceptive data.
    Ultimately, as i see it, using these models is just about tracking cycles: understanding what nourishes my system (the creating cycle) and what locks it down into a tight, defensive brace (the controlling cycle). It is an incredibly helpful tool for figuring out how to stop forcing our systems into shapes that don't fit our biology, so we can let our tissues rest in their actual nature.
    Best wishes,
    Phased
    PS I'm thinking about introducing "overcoat on a wheelbarrow" qikung exercise - "helps keep damp out of the machinery"
  • Maybe something that replicates the actions of spraying something with WD40?

    In the west we only have four elements, earth, air, fire and water, we don't have wood and althgough I love wood I find it a bit confusing as an element.

    Another difference I've noticed and something I think needs discussion and work is how different the elements and directions are from east to west and the reasons for them.

    East, in the western system is air, signifying clear thought, think of an esterly wind blowing in, cold and clear, the sort of lazy wiind that can't be bothered to around you, but has to go thtrough you, its cuts like a knife.

    South is fire, our hot summer winds. It brings passion to our lives and can be used as an inspiration and a driver

    West is water, to our west is our largest body of water, the Atlantic, it brings rain and winds. It's healing, its a different kind of passion, more the passion of lovers than the zeal to achieve something, it's softer and more encompassing.

    North is earth, the place of grounding, it's steadfast, holding out against the storm, hunkering down, preparing for a stage of active inaction, little grows but we prepare the ground and lay solid foundations.

    I've seen variations of the Chinese elements with some saying south is water, which makes sense as the largest body of water to China is the South China Sea. We don't have the idea of wood holding the centre as a fifth element.

Reply
  • Maybe something that replicates the actions of spraying something with WD40?

    In the west we only have four elements, earth, air, fire and water, we don't have wood and althgough I love wood I find it a bit confusing as an element.

    Another difference I've noticed and something I think needs discussion and work is how different the elements and directions are from east to west and the reasons for them.

    East, in the western system is air, signifying clear thought, think of an esterly wind blowing in, cold and clear, the sort of lazy wiind that can't be bothered to around you, but has to go thtrough you, its cuts like a knife.

    South is fire, our hot summer winds. It brings passion to our lives and can be used as an inspiration and a driver

    West is water, to our west is our largest body of water, the Atlantic, it brings rain and winds. It's healing, its a different kind of passion, more the passion of lovers than the zeal to achieve something, it's softer and more encompassing.

    North is earth, the place of grounding, it's steadfast, holding out against the storm, hunkering down, preparing for a stage of active inaction, little grows but we prepare the ground and lay solid foundations.

    I've seen variations of the Chinese elements with some saying south is water, which makes sense as the largest body of water to China is the South China Sea. We don't have the idea of wood holding the centre as a fifth element.

Children
  • Having to wear a bra is pants!

    hehehe

    that lower centre of gravity appearance perhaps is that they may be more "grounded" - I don't think of it necessarily being anatomical differences - maybe more about how they   "inhabit" their body = a little game to try if you fancy one?  if you're seated and can manage the mental gymnastics - try thinking about inside your head and then whilst doing so look around you,  then try thinking about the inside of the sort of "empty" bowl of your pelvis and look around you - i'd be really interested if you can notice any difference about how your movements might differ with your "mind in different places" :-)  lots of fighting cocks in martial arts - hehe lots of self inflicted injuries throughout humanity

  • Having to wear a bra is pants! No matter how supportive.

    I did know that about Winchung kung fu, something that a lot of practitioners like to forget, or have never learned. Many like to try and make it more macho to compensate.

    One of the things I've noticed is that South East Asian women seem to not be as "busty", as many Western women, I've noticed that South East Asian walk differently, like they're either more aware of or have a lower centre of gravity to most Westerners., their general body shape seems "flatter" than Europeans. I dont' know, its something I've been noticing for years and have tried talking about to martial artists and sports people and trainers and they never seem to understand what I'm talking about.

    I remember my friend taking her son to get his next Tai kwondo belt, she said all the boys of his age looked like fighting cocks as they were all doing jump kicks!

    I think a lot of my problems with coordination and movement are to do with dyspraxia and sequence dyslexia, if I get a sequence in martial arts muddled I'm more likely to puch myself in the face than anyone else!

  • Yep, completely understand the dance like and moving aspect of it- it took me a few years to be able to get he hang of it being an "internal" art rather than an external one ( I was a taekwondo practitioner before getting into taiji more deeply) .  When i eventually twigged the "internal part more deeply and slowed down my high speed  practice down then it started to fall into place for me. 

    Jump kicks and things are in my experience often brought into martial arts practice far too early in most peoples journeys - partly because classes are set up and run in such a way that all standards and capabilities are treated for one group of instruction and practice and also to tailor for the demand of people who want to "run before they can walk".  Personal experience being that getting the hang of being able to stand up and balance is often overlooked and rushed past because the assumption is that people can do it well enough to move on!

    Never had the problem of big boobs personally :-)  But did get larroped by a senior grade lady once for accidentally punching her in one of them!  

    From a practical point of view, as I understand it, Wing Chung gungfu was developed specifically for and by women - taking into account the practical difficulties of "chambering" punches at the hip and having to negotiate getting past boob.  The hands are brought higher and closer to the centre - line in it.  Likewise it takes into into account wider hips for standing and moving postures.  I also believe "crane style" has a more feminine biomechanic too perhaps.  I've been exploring recently how the internal " energy flow" for taiji has these differences accounted for in practice - essentially the energetics of some of the more subtle enrgiy fields run with the opposite spin for women and men.  A tricky thing when many of the classes are run by men or by women who have had their training passed down to them by men who maybe haven't understood the really quite substantial differences.  (as an aside the number of lady footballers  who have serious knee injuries is really bad - and I suspect many of these could be resolved if the training and practice techniques weren't so directly copied from the male game...)

    Sorry apart from agreeing with you that clothing ranges aren't made to fit the whole range of real people please 'scuse me by maybe making light and sharing an updated old joke that i hope might make you laugh:  "I believe that years ago playtex, developed 3 major bra ranges - now being developed for male intimate anatomy too -  1 The political agitator - for making mountains out of molehills 2 The dictatorship - for the suppression of the masses   and 3 The  social support - for the uplift of the fallen"

    Modesty dictates that I can't tell you which number (or combination thereof) that I'm wearing at the moment... :-)

    Best Wishes 

  • I think maybe the reason I don't get on with it is because its dance like and moving, yoga's more stationary and I'm terribly uncoordinated, there are certain things I can't do in martial arts, like some of the jump kicks and stuff, it's like a connection between my body and brain is broken. I can see in my mind what I need/want to do, but my body can't do it.

    I always had problems with form too, my ex husband was always going on about it and that I wasn't doing it properly, I eventually realised my boobs were to big and got in the way and I have narrow shoulders too. People, particularly male people, can never appreciate how much big boobs get in the way, how little choice women have about the size of them, and it's not as simple as getting the right sports bra, I can't even find one in my size?

  • I completely understand that it's sometimes tricky to be "objective" about peoples lives - lot of change often means lots of misery for the many and a fine time for the few - at least to start with...

    I don't know if such a thing as a "happiness index" can ever be reliably be applied to people in whatever age.  We are led to believe the cultural of vector of hierachy often says that those "at the top"are happer - but then they seem to spend all their time literally backstabbing and the more people have the have the less they seem to be able to enjoy sharing often.

    Do you feel the practice of TaiChi is like a dance?

    Personally - it can be.  We and all of the universe are dancing one way or another all the time I reckon.   To start with definately yes - "learning the moves and seeing them as "external" actions to copy  Then a big chunk of working out what was going on " internally" in my body to fulfill the external functional "dance" - like learning what lever or cog to work on internally to get a desired external result.  Then moved on to what was going on internally to fulfill an internal function in the body - igiess maybe like learning to identify with the emotion that might go into the dance .  These days more a sense of just kind of living it  with the inside and the outside being less obvious if that makes sense.  Less line dance and more letting go and just going with the music in me and the music outside if that makes sense?  The formal tai chi form is as i see it  a strategy to learning how to do something by not doing something - hehe that's good because I have kind off banned myself from actively doing "the form" pretty much these days  (which is not to say that it doesn't come out - like the other day when someone was annoying me by banging on my post big meal belly and i found I had gentle but firmly sunk my knuckles about 2 inches into their belly!  In the end i just kind of figure that learnng taiji was about it being just another mask to take off!  But one that when taken off had left me in a shape to be a lot more myself than i ever was before - if that makes sense!!!  To quote mark Bolan tho' " I love to boogey" :-)

  • We've been a mixed population for thousands of years, so has most of Europe and the rest of the world too for that matter, Ireland's an even smaller island and the Highlands of Scotland are quite small, but have retained thier traditions.

    I wonder if the Irish and Scots, hung on to their traditions because they had the English to blame for things like the clearances, famines, plantations etc. The English have been encouraged to forget and quite successfully so, by governments and the ruling classes in general, that so many poor rural tennant farmers were cleared from the land too and used to fuel the industrial revolution. We're taught such a glossy spin on the effects it would have had on those newly moved to towns and cities, we're shown progress, new technology and products, the ability to travel quickly and safely. All great, but, what was life really like when there was no real sanitation and to many people sharing a common well? Thousands of lives lost to cholera and typhiod, plus the many who were killed in industrial accidents and the effects of things like breathing in cotton and wool fibres. 

    Fed on the crumbs of empire, displaced from homes and families and the land that had fed and healed them, its no wonder in some ways the English lost their folk heritage, maybe it didn't happen in other places because they industrialised later and at maybe a more managable pace to us? 

    There are still some like the Cheese Race, the earliest thats recorded is 1838, according to wikipedia. The history of Morris Dancing is a bit vague, but somewhere between C1450 and the reign of Henry VII some 25 years later are among the earliest references to it, although many think its much older.

    Sorry went off on a bit of a hobby horse there, (another Morris character), social injustice always get to me, especially when its sold as glory.

    Do you feel the practice of TaiChi is like a dance?

  • Can you imagine the English without the ministry of silly walks tho'  hehehe i think English folk tradition is so very hard to pin down because the "English" are so, so culturally mixed - living on an island means so many things and people come and go - and so do the cultures - personally i think it's sad - tho' just like in America when someone wandered around recording folk music and songs they're still here maybe - Cornish sea shanties?  counting sheep with a special number set,  hehe in Norfolk where I hail from ladybirds were called "bishybarnybees"  - I've made sure my kids know aht they're called in that respect - funny in it - I chatted the other day to some other norfolk "dumpling" introduced to me on the phone who I'd  never met before in "broad norfolk" - an we ha a rite ole larf - hmmmm... and I felt more "authentic"! So I guess maybe why people in England feel a bit unsure about national or even local traits and traditions is because they're "masking" them maybe?

  • Sorry about that! Thanks for putting me right. You are completely correct—I managed to conflate the classical Greek/modern esoteric framework with the Celtic one.
    From what I understand now, "Land, Sea, and Sky" are actually the big three for ancient Celtic cosmology.
    Thanks again for correcting me there!
  • I've never heard of that Phased and I've studied a lot of Celtic stuff, I'd be interested to learn more?

  • I don't feel grief about the potential loss of Western somatic traditions, I just wonder if we had them, if we did how come they were lost?

    It's quite possible that we never had them, it always amazes me how many things peoples didn't do even though they could, like drawing in perspective, theres a big debate thats been going on for ages about it. Most medieval "art" we see is more like a graphic novel than what we'd call art, but is the problem with them or us?

    I suppose one example of a martial tradition thats been lost is quarter staff fighting, it would seem to have it roots in spear fighting, spears being far more commonly used in battle than expensive swords. it seems that first the Romans banned spears, but allowed staffs for defence, more from wild animals that humans, but it's basically the same skill and then the disarmament after 1066.

    Another surprising thing is how "modern" so many of our folk traditions are, Morris Dancing for example is actually "Moorish Dancing" and came to Britain after the Crusades. Others are Victorian creations or recreations of what they though ought to have happened, much like the way they "Gothic'd" up existing Gothic buildings to make them more in keeping with how they imagined they would of been.

    There are some traditions though that I do think are far older or have been labled as Morris Dancing etc, I've learned a tiny bit about Black Morris traditions and thats were things do get old, obsecure and murky and I believe more shamanic. The blacked up faces of the dancers, remind me of Voodoo Obee make-up where faces are whitened, they serve the same purpose of making the facial features both stand out and recede.

    Another wondering of mine, is why are the English so embarassed of thier folk traditions? Scots and Irish love their music and dancing, the English will run a mile from anything that sounds like folk music and I don't know if theres English folk dancing. The Welsh have Eisteddfod's, which are a later creation but one that gaining popularity for Welsh music, song and poetry. It does seem to be peculuiarly English too, can you imagine the Spanish without Flamenco, the Germans with Oompah bands, the French without competions over who can make the best Cassoulet?

  • Metal is something we dont' see in Western elemental systems

    Celtic framework, where the five elements are Earth, Water, Fire, Air, and Aether (the space or void that holds them)

    Aether and Metal -- The Cosmic Center
    The fifth essence or quintessence -- the ultimate space that contains, structures, and balances all other elements. In Western and Vedic thought, this is Aether (The Cosmic Space), the infinite background field of Cosmopsychism. In Chinese cosmology, this is Metal (The Crystalline Geometry), the structural logic that carves perfect mathematical order right out of the void. Together, they represent the absolute central anchor point where the individual micro-mind realizes it is structured by the same geometric laws as the macro-cosmos.

    .:-)  I think that answers that question - best wishes

  • Celtic god Cernunnos. Intriguingly, he isn't sitting on a throne; he is seated flat on the ground in a perfect, advanced yogic lotus position

    hehe - or maybe it just illustrates that they didn't have chairs in those days!  gawd i do go off on one some times...

  • I completely accept your point—you're right, the Western elements certainly aren't static in their expression, especially when you feel the literal shift of the Atlantic weather or the turning of the seasonal wheel.
    That feeling of "Being" you describe—where the movement through and around you dissolves the boundary between self and environment—is exactly what I mean by wu wei. It is a beautiful place to inhabit.
    Your grief over the loss of a Western somatic movement tradition really strikes a chord with me. I suspect we did have those deep bodily connections to the land once, perhaps woven into folk dances, agricultural rhythms, or ancestral ways of working the soil. Hmmm.... What's left? Morris dancing?, and I remember skipping around a Maypole as a child. But looking back at British history, you have to wonder... "what have the Romans ever done for us," maybe? We’ve had wave after wave of imperial, industrial, and rigid bureaucratic systems flattening our organic, connected traditions.
    If you dig down into the soil before the Roman conquest, there are actually credible clues that we shared a massive amount of somatic DNA with the East. One of Europe's most famous pre-Roman artifacts, the Gundestrup Cauldron, features a prominent depiction of the horned Celtic god Cernunnos. Intriguingly, he isn't sitting on a throne; he is seated flat on the ground in a perfect, advanced yogic lotus position. It looks nearly identical to 4,000-year-old "proto-Shiva" seals found in India. Because our Celtic ancestors and ancient Eastern cultures share common Indo-European roots, that deep, nature-based somatic tracking was likely already here on our soil before the empire marched over it and institutionalised the spirit out of the body.
    Later on, when these Eastern practices started trickling back into Europe in the 19th century, the modern West did what it always does—it colonised the mechanics and flattened the soul. The father of modern Western gymnastics (Pehr Henrik Ling) actually took ancient Taoist restorative movements and adapted them into European calisthenics, which later formed the basis of modern physiotherapy. A British medical observer at the time described it beautifully as a “splendid Chinese vase with European paint overlaid upon it.” Because of the intense religious politics and Newtonian industrial mindset of the era, the deep Qi breathing and internal spiritual connection were completely stripped out. The movement was sanitised and reduced to strict, anatomical levers to turn people into efficient factory workers or soldiers.
    I suspect the survival of any true somatic tradition relies entirely on how its memory is passed down, combined with its sheer usefulness and necessity. The Qigong exercises I’m acquainted with didn’t develop in a comfortable vacuum; they came from an ancient agrarian society where daily life was incredibly tough and the physical body took quite a bit of a hammer. The practice of that "science" was passed down through generations precisely because it was a survival necessity—a manual for keeping the physical machinery running under intense pressure without ever losing sight of the spiritual connection. In that original context, the body and the spirit were never separate; taking care of the physical tissue was the very foundation of cultivating the soul.
    When our own native somatic traditions have been disrupted, these arts give us a precise, ready-made language to reconnect our modern, stressed nervous systems back to the gravity of the Earth and the stillness of the sky. It's a universal human framework for reclaiming that "Being" through the physical body, right here on our own soil.
  • I love that feeling of Being, of feeling everything moving through and around me.

    I wouldn't say that the elements are static as such in the Western system, but their very nature they're moving.

    I wish we had a tradition of movement such as TaiCHi or Yoga, I'm sure we must have done at one time, but when and how it was lost I don't know.

  • Are there other interpretations in China of what the elements relate too? I was thinking in particular of Feng Shui.
    Known as the "wu xing", this model is applied to all universal things as far as I understand it. The major difference to the Western elemental systems perhaps being that the wu xing describes phases of change. Xing meaning "walk/go"—dynamic, moving states—whereas the Western system traditionally describes material states, sometimes in a more static hierarchy.
    Because of this, I wonder if the two models change how we actually behave when life gets out of balance.
    In many everyday frameworks, there is often a distinct "I" standing in the center, trying to consciously manage, fix, or direct the elements around them. But for me, the beauty of the Taoist approach—especially when employing wu wei (effortless action)—is that the distinction between the self and the non-self completely drops away. You stop trying to manually override your system, and you just let the boundary dissolve.
    I think this dissolution of self maybe bridges beautifully to the Pagan appreciation of the environment. At that deep level, you aren't an isolated person watching the weather; your biology is actively participating in it. When I yield to my burnout, I’m letting my body become part of the wider landscape, adapting just like the seeds in my allotment do to the changing soil. It sounds exactly like what you experienced when the drought broke—your internal aquifers refilling with the rain because you were entirely continuous with the ecosystem around you. We aren't just in our elements; we are them.
  • I shall sit with your explainations of the elements for a while, its not something that sits naturally with me, although I get what you mean about the pole star. Metal is something we dont' see in Western elemental systems as well as wood, although I guess you could see north as wood and stone.

    Are there other interpretations in China of what the elements relate too? I was thinking in particular of Feng Shui.

    I think we'd probably both get in trouble on here if we said what we really think about things like the potato famine, the clearances and a lot of other things.

  • yep i'm really up for that discussion  In five element theory from Taoism : West is metal, North is water, east is wood, south is fire and the centre is earth.  The journey of a thousand miles begins underneath one's feet, it is said,  (hehe by some old person...)  that is to say the centre or the Earth and maybe that's where we have different models to talk about.  Here's a kindof "boiled down" Taoist take on it

    • compass Center (Earth): Stability, grounding, and the present moment.
    • Sunrise East (Wood): New beginnings, growth, and the dawn.
    • Sunny️ South (Fire): Peak energy, passion, and illumination.
    • City sunset West (Metal): Harvest, reflection, and letting go.
    • Milky way North (Water): Stillness, wisdom, and the deep unknown.

    You're correct about the geography  Ancient Chinese maps were even oriented with South at the top. The Emperor sat on his throne facing South, meaning the hot South was ahead, the cold North (and the North Star) was at his back, the rising sun (East/Wood) was to his left, and the mountains (West/Metal) were to his right.

    If you like I can explain how this applied physically to my "Qigong" Practice of i suppose what might mainly be described as a physical exercise system (at least to start with)...  That's about how I explored it for a long time until i kindof moved a bit more "internal" more recently.
    One approach is to align the crown of the head with the North Star (Polaris) the exact biomechanical and energetic bridge between that macro-geography and personal practice of being someone on this planet.
    In Taoist cosmology, the North Star is the unmoving center of the heavens around which all other stars revolve. By anchoring the crown to it, this mimics that cosmic stillness. I then translate this into postural weight transfers:
    • The true axis of where this intersection is is the internal empty space where the Du Mai (Yang) and Ren Mai (Yin) continuously intersect and cycle.  Imagine if you can a yin/yang symbol that is the body  - vertically - the black and white bits of the yin and yang meeting on the outside of the circle at the crown of the head and at the perineum - (the bit between the bum-hole and one's bits)?  
    • According to this model, when someone aligns their crown with the North Star, they aren't just straightening vertebrae; it's suspending the Microcosmic Orbit (Xiao Zhou Tian) - those yin/yang parts of the body.                         The real axis of rotation and weight transfer for the body is that energetic plumb line where Yin and Yang meet and transform into one another:
      • The Front (Ren Mai / Yin): Descending, yielding, and sinking weight into the Earth.
      • The Back (Du Mai / Yang): Ascending, supporting, and expressing force upward toward the North Star.
      This creates Zhong Ding (Central Equilibrium).
    • The Feet are the Center (Earth): As noted, the "journey begins underneath one's feet." When you shift your weight, your feet act as the Central Earth phase—absorbing, grounding, and neutralizing the weight before it moves.
    • The Shifts are the Directions: Shifting forward (typically toward the chest/eyes, or South) activates the expansive, outward energy of Fire. Shifting backward or sinking down into the heels anchors you into the deep, defensive reservoir of Water (North). Lateral shifts to the left and right mirror the expanding flexibility of Wood (East) and the condensed, structure-strengthening density of Metal (West)

    So these are physical manifestations or "embodiment" of these 5 elements in a physical exercise system if that makes sense?

    anyway that's one take on it :-)

  • Yep, it makes sense that peoples' biology reflects the environment they developed in over generations - i save the seeds from plants I've grown in my garden and allotment and they seem to do better than ones brought in - makes sense that the genetics leans towards adaptation for what the soil etc is like after a few iterations.  Moving stuff around becomes bit of a problem in this context - take potatoes for example - the really crazy thing is that Ireland a that time was exporting vast amounts of other grub - grain etc. but the people growing it only had potato and it was seen as a good way of clearing away such poor genetic stock for such people to starve.  (oh don't get me started on exploitation of the working class....) 

  • Have you come across epigenetics? According to AI, my love of water, the west and needing to live on the western seaboard, preferably the north western part, my love of the watery almost misty light and dislike of the south east with its stronger sun and harsher light, comes from epigenetics. Apparently its all linked to my 4 times gr grandparents who came from Western Ireland during the potato famine, I don't know about epigenetics, I feel it something I've just scratched the surface of and would love to learn more and am quite prepared to accept that the AI explaination is rubbish.